He’s a world-class solder, a quick thinker with a quicker trigger and the ability to process minutiae really fast and spit it out as exposition to the audience. He’s fun to watch but difficult to relate to, and at the end gets lost in a massive library of action heroes who we remember by the name of the actor who portrayed them and not the character themselves.
Read MoreThere’s emotional weight to the action and the characters (Taslim and Sanada were both good, despite having their faces covered for half the film) and it gave you a sense of hope (which ended up being false) that this was going to be a video-game movie that was self-aware and had a chance to be good.
Read MoreThe script is too thin to really grapple with the moral dilemma. We get a few sequences where the characters individually break down due to the stress, but the drama never builds to the wrenching height that the situation demands. Maybe you can chalk that up to the immense training and professionalism that these characters would exemplify, but it did leave me a bit cold.
Read MoreIt’s an Oscar season unlike any other. With an eligibility period and a ceremony delayed by two months due to the COVID-19 pandemic, it may be a long time before we see an Oscars year as uncertain as this. Major movies that may have figured into the race have been delayed, leaving a slate of nominees that would have been drowned out in other years.
Read MoreIt’s meant as a bitter commentary about the nexus between capitalism, ambition, and the way we treat our elders. But the bitterness is so intense that it lingers after the credits roll, causing you to wonder if the movie accomplished much at all, besides its stylish presentation and strong performances.
Read MoreFennell thus sweeps us along into a film that follows many of the beats of a traditional revenge film, but none of the violence. As cathartic as it may be to want Cassie’s enemies to get served more painful justice than they do, it’s clear that Fennell (who also wrote the screenplay) doesn’t want to tip her heroine into the kind of villainy she’s supposed to be fighting against.
Read MoreSetting the film in 1984 was just an excuse to cut a synth-heavy trailer (music we never got in the film, by the way) and let Pine make stupid jokes about fanny packs. Even if we forgive Diana – who’s supposedly the embodiment of moral good – for overlooking the fact that her wish temporarily traps a living soul in limbo and other such ramifications in a Freaky Friday swap, it’s debatable how much Steve’s character moves Diana or the story forward.
Read MoreWhat Ruben desperately wants is a fix to his hearing loss - not unlike the other kind of fix he used to depend on. The grief he feels for the life he’s lost comes in waves. But in an echo of his past efforts to get clean, Ruben gradually adjusts to the strictures of the program and makes new friends. Unfortunately, he also offsets his progress…
Read MoreAs good as the cast and the script are - setting aside how you feel about Oldman, 62, playing a 43-year-old - the setting and Fincher’s self-indulgent flourishes still make me hesitate before recommending it to everyone. If you’re a ride-or-die Fincher fan, or a committed listener of a film history podcast like You Must Remember This, climb aboard.
Read MoreThe movie delivers a series of slapstick scenes with increasingly frantic stakes, and it’s a lot of fun to watch the fictional acting troupe carrying out their plans. But despite how often the film focuses on Kazuto and his condition, the bare sketch of its origins makes it hard to sympathize with him.
Read MoreThankfully, there’s no hammer-over-the-head moment that blasts what the four buddies have done, but their overindulgence does extract a fairly heavy cost. Credit goes to Vinterberg, who finds the right balance in showing how drinking can reduce barriers and bring people together, but also how much destruction it can cause.
Read MoreEven though John and Willis have a big cathartic fight that leads to an emotional embrace, it doesn’t feel like there’s a higher level of understanding between the two characters to be attained. Mortensen the director is reaching for this one moment where a strained father-son relationship could be understood, but that moment never quite comes.
Read MoreThere are various moments throughout the film where I was left scratching my head, to the point where I wasn’t quite sure how to tie everything together for this review. But I kept coming back to these five main points where the film either missed the mark or left me absolutely bewildered.
Read MoreSome credit has to be given to the filmmakers for the constraints they worked under: tight spaces, entry-level equipment, stringent health and safety protocols. But most of the stories still feel overly rushed, with unconvincing characters and scenarios that don’t rise beyond what’s been posted on platforms like TikTok or Twitter during this time.
Read MoreDirector Massoud Bakhshi felt it necessary to introduce several twists to the story, and it’s debatable if it added any more tension or identity to the characters. Did we really need further explanation why Mona had such a vested interest in her father’s empire? Did we really need that twist to further root for Maryam?
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