The shortcut to describing Baby Driver is to call it a heist film. But the more you think about it, the less that label applies to the new film from Edgar Wright. Movies that truly belong in the heist genre tend to break down the crime, showing us detail-by-detail how the brilliant thieves got away with it. But there’s something more pressing at the heart of Baby Driver - an old-fashioned love story, where the hero is bent on escaping a criminal life he never wanted. He’s got better places to be, and a hell of a way to get there.

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