Who knew coloured spandex would have such a lasting impression on our pop culture? On March 24, Haim Saban will be bringing Power Rangers back to the silver screen, 22 years after the original theatrical film grossed $66 million worldwide on a $15 million budget. What is old is new again, which seems to be the running theme for a lot of franchises these days.
Read MoreSeveral decades ago, a movie like Kong: Skull Island would unashamedly be a true B-movie. It’s got a giant ape, a remote island full of monsters, and some good-looking people trying to escape. But in our current age of geeky properties getting blessed with $200 million budgets, it can be tricky to figure out what we’re getting with Skull Island. Is the movie too pretty, too well assembled and too stocked with talent (like Oscar winner Brie Larson) to embrace its grungy roots?
Read MoreAm I crazy in thinking that Logan is good enough to start stirring up some conversation when awards season hits? James Mangold’s long-awaited, much-ballyhooed, R-rated entry in the final chapter of Wolverine’s trilogy still manages to be a surprising delight despite all the hype.
Read MoreTrue North Streaming is a semi-regular column highlighting some of the best new additions to Netflix’s Canadian service. Like many of you, every so often I get a pleasant surprise when I discover a cool movie or TV show that’s just popped up on Netflix’s often-maligned sister platform. These posts will help you filter through the often quirky mix of Netflix Canada’s offerings and find the most valuable ways to waste some time.
Read MoreAny movie that wades into a complex and divisive political discussion like race relations has to toe a fine line. Play things too safe, and the film will feel like a waste of time. Conversely, take too strident of a position and audiences may rebel. This is why movies like Get Out – the new horror-comedy from Jordan Peele – feels like such an achievement.
Read MoreThe Lego Batman Movie is another vehicle for The Lego Group – a.k.a. Danish corporation Lego A/S, worth approximately $15 billion – to sell more of its (admittedly excellent) building block toys, but unlike other previous film franchises that were made solely to sell ancillary products, it’s not clumsy. It’s a clever film that has earned the rare distinction of being both a cash cow and a genuinely entertaining 106-minute commercial.
Read More
