Posts tagged movie
REVIEW: ‘Dungeons and Dragons: Honor Among Thieves’ is a successful dice roll

The fact that I still had a good time in the newest movie based on the tabletop game - without much of the context - suggests that Dungeons & Dragons: Honor Among Thieves succeeds on its own merits. It doesn’t require total immersion in the lore, and that’s more than you can say about a lot of geeky series these days.

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REVEW: 'The Woman in the Window' is trapped in bad nostalgia

I had trouble sitting through this film without getting frustrated and throwing up my arms in disgust. It was far too simplistic, and too often I’m wondering why Julianne Moore, Brian Tyree Henry and Tracy Letts (who wrote the screenplay) were so underused

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REVIEW: 'Those Who Wish Me Dead' lets good ideas burn out of control

We might expect the rest of the movie to focus on Hannah coming face to face with another fire, and learning to overcome her misplaced guilt. This is a Taylor Sheridan movie, though. So in the tradition of movies he’s written (Sicario, Hell or High Water) and directed (Wind River), it needs to have some human evil on par with the natural menace.

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[TIFF 2020] REVIEW: ‘Shadow in the Cloud’ is a wartime horror with a troubled origin

Garrett’s troubles increase with the arrival of two enemies: the Japanese air force, and a thoroughly supernatural addition, a gremlin. Yes, perhaps I forgot to mention: Shadow in the Cloud is also a creature feature. In an homage to the 1963 Twilight Zone episode “Nightmare at 20,000 Feet”, starring William Shatner, Garrett is plagued by a bat/monkey-like creature that’s trying to tear the plane apart in mid-air.

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REVIEW: 'The New Mutants' is more of the same

Envisioned as a haunted house psychological thriller-horror — and those elements are certainly quite good, there just isn’t enough of it — no character embodies the main antagonist. The idea that mutants are a danger to themselves and society is interpreted literally in this film. X-Men is supposed to be a reflection of what it’s to be like an outsider, but when the film traps all five mutants in one location without outside contact, they aren’t given a chance to show why they’re ostracized.

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REVIEW: ‘Where’d You Go, Bernadette’ should have started from scratch

Bafflingly, the question posed by the film’s title doesn’t really come into force until halfway through. And various storytelling devices intended to tame the movie’s shaggy bits, like voiceover by the protagonist’s daughter and flashback exposition-dumps, are too inconsistently applied to keep anything in check. 

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REVIEW: ‘Men in Black International’ can’t be bothered to save the series

The key ingredient of the original film is the relationship between J and K: one an over-confident, rule-eschewing newbie, the other a grizzled veteran. Even though the screenwriters try to fit Hemsworth and Thompson into a similar dynamic, their characters are paper-thin by comparison

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REVIEW: ‘Godzilla: King of the Monsters’ stomps closer to the spirit of the series

The balance between titanic brawls and terrified citizens is redistributed in the right direction; as any die-hard fan of the franchise will tell you, we’re not meant to focus on the drama of the helpless humans caught in the fray.

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REVIEW: ‘John Wick: Chapter 3 - Parabellum’ is almost too much of a good thing

The movie adds 167 deaths alone - more than half the total - and many of these come in lengthy, technically dazzling scenes whose only crime is that there’s too much of them. It sounds odd, but for all the thrills and grim laughs in Chapter 3, the movie could do with being 10 or 15 minutes shorter.

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REVIEW: 'The Meg' shows a bad genre still has some bite

By the time the second act rolls around, it’s clear this movie isn’t quite as tongue-in-cheek as the Bobby Darin needle-drop in the trailer suggests. There’s a little too much self-seriousness to call it a comedy, and a little too much comedy to call it a thriller. The mixture of tones doesn’t make it impossible to watch, just hard to recommend; especially when you could easily go see Mission: Impossible – Fallout again.

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Reviews of Classic Movies: ‘Being There’ cuts ever deeper as social media gets louder

The movie is a subtle, but damning representation of modern politics. We’re invited to wonder how many of our leaders and public intellectuals are really know-nothings who were lucky enough to stumble into recognition and respect. At the time Ashby (perhaps best known for Harold and Maude) was working on Being There, the political climate in the United States was nowhere near as charged as it is today.

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