While a film like Noah Baumbach’s upcoming Marriage Story made a point about how adults can yell at each other ad nauseum until both are exhausted, Young-joo and Dae-won's quiet struggles are certainly more indicative of a more subdued unfulfillment.
Read MoreMessy psychology aside, Joker behaves in the Batman film universe very much like The Killing Joke does for comics: it doesn’t need to connect to any other stories or characters, and captures just one possible timeline for how the Joker came to be, much like the several different threads that Heath Ledger’s Joker references in The Dark Knight.
Read MoreFor the second straight year, following Lee Chang-dong’s Burning, a Korean film is going to dominate top-10 lists, including yours truly. It is the first Korean film to win the Palme d’Or at Cannes and just the second to win by unanimous vote since Blue Is the Warmest Colour. It would be remiss to say that Korean cinema is on the rise -- if anything, it has already arrived and Parasite is just the new high water mark.
Read MoreThe main criticism – like all the other Malick films -- is its length. In the right mood A Hidden Life can be a truly enjoyable watch, but it’s about a half-hour to one hour too long to hold your attention span with such a thin narrative, though it will certainly be Malick’s most well-received since The Tree of Life.
Read MoreIn a context where space travel is this much more attainable, the story of a hero astronaut pursuing his father, a rogue scientist, to the edge of human experience is entirely logical. As some of the dangers and technological hurdles inherent in deep space travel are removed, it opens the door to a deeply affecting narrative that weighs commitment to a mission against the responsibilities to a family.
Read MoreThat’s about the extent Just Mercy is willing to go as far as a critique of America’s justice system, otherwise it’s a fine legal drama that plays like so many other of them do. Based on a true story, Michael B. Jordan plays Bryan, a young black lawyer who studied at Harvard and has started his own practice, the Equal Justice Initiative, in 1980’s Alabama.
Read MoreThe audience is forced to sit through this convoluted tale and half-baked ideas about loss and revenge, conveyed by a multitude of characters with baffling motivations. It’s difficult to encapsulate what each of the characters represent because they spin in all sorts of directions and their motivations seemingly change from scene to scene.
Read MoreBut in Hawley’s hands, the proceedings are a little bit too experimental to help us develop compassion for Lucy (Natalie Portman). By the time the movie wraps up, Lucy has fallen incredibly far - blasting her former lover in the eyes with insect spray and fleeing the cops in an airport parking garage - but her story is only unintentionally funny, instead of moving.
Read MoreRadwanski succeeds in building the intensity, but where it falls short is Anne’s curious lack of transformation. She’s not very different from when we first meet her, and her behavior and subsequent breakdown asks more questions than it answers.
Read MoreIt's charming, but at the end of it all we know nothing more about Pittsburgh, Mr. Rogers or his show that we don't already know. (I had a similar critique of Won't You Be My Neighbor?). In this regard the film feels disappointing, because it's only after the credits roll that we realize we sat through a 107-minute episode of Mister Rogers' Neighborhood.
Read MoreExposition is generally frowned upon, but in a film featuring double agents, double crosses and a multitude of characters and languages, it lacks a scene that explains everything to the viewer. Perhaps we've been dumbed down by clear struggles between good vs. bad in the superhero genre, but Lou Ye's black-and-white film noir fails to really tie a neat ribbon around its convoluted plot and too-mysterious femme fatale
Read MoreEverywhere Howard goes is a riot of emotion and crosstalk: boasts and deals are made, and (less frequently) apologies are offered. Just as you need a lot of pressure and energy to ignite a star, or to form a gemstone, it’s clear that you need something similar (albeit on a more human scale) to survive in Howard’s world.
Read MoreFew emerging filmmakers are quite as confident as Dorsey with how she isolates visuals and sounds, like an insect crawling along the ground while high-school-aged girls chat about boys, or the almost unsettling amplification of the sounds of people chewing or drinking. It’s a technique that suggests the film wants to take a detailed, magnified look at hard-to-spot details in everyday life; a method that echoes the feeling that drives the two main characters: pervasive, almost crippling loneliness.
Read MoreThere is so much care, thought and detail put into the show it’s mesmerizing even on second watch. The era-specific cars, restaurants, technology and social issues is compelling television. This is absolutely Fincher’s doing, whose characters are often investigators, and by extension pays a lot of attention to details in his scenes.
Read MoreThe show isn’t all bad because at the very least I felt compelled to finish it. I appreciate its ambitious international slant, speaking Cantonese, Mandarin, Russian and Gaelic, and the fight choreography is fast and vicious, mostly thanks to Uwais, perhaps the closest thing we have to a Jackie Chan or Jet Li in western cinema. The food looks good, too.
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