On a meta level, Gunn’s movie is an announcement of its own. He and his newly reset DC Universe of movies and TV shows need a standard-bearer, and that role naturally falls to the so-called Big Blue: the most powerful hero in the lineup and the one mainstream audiences know the best. And as certain toxic fans out there will be quick to tell you, Gunn wants everything about this new era of stories to be different. He wants a brighter, more uplifting tone (at least for Superman) and less grungy realism compared to the DC Comics-inspired movies of the last 20-odd years. By wiping the slate clean and starting again, there’s a lot to set up, and much of that falls on the shoulders of this new movie.
Read MoreSet against the rage-inducing structure, annoying performances and embarrassing scripting of Batman v Superman, Justice League initially feels like a major step forward from its predecessor. At the very least, the new film has some internal logic and the ability to sustain a train of thought about a character or a plot point. But this is a limp improvement – being mostly functional doesn’t create a lot of thrills.
Read MoreHappily (despite persistent rumours to the contrary) Patty Jenkins’ picture is a sturdy, involving piece of work on its own merits. It uses the broader DC universe as a stage for a reflection on the causes of war – is it something inherent in human nature, or something we can struggle to avoid? And it does so from the unique perspective of a woman being introduced to real combat (and the 20th century) for the first time. While Wonder Woman isn’t immune to the usual genre tropes (uninspiring villains, a messy climax), it’s still a great place to start; not just for female-led comic-book movies, but for the DC franchise as a whole.
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