REVIEW: 'Birth of the Dragon', a lively and earnest Bruce Lee biopic
REVIEW: 'The Bad Batch', a dystopian cannibal romance lacking some all-important bite
REVIEW: ‘Suicide Squad’, where poor editing is the real supervillain
REVIEW: 'Jason Bourne' is a half-hearted sequel fighting for a reason to exist
REVIEW: 'The Neon Demon' is a provocative thriller that gets lost in its artsy visuals
REVIEW: 'X-Men: Apocalypse' is a well-structured but formulaic sequel
REVIEW: 'The Nice Guys' is an eccentric action-comedy with a surprising sentimental streak
REVIEW: 'Money Monster' is a sloppy cartoon masquerading as a financial crisis drama
REVIEW: 'Green Room' is a well-crafted, unsparing dive into extremism and survival
PREVIEW: Our 18 Most-Anticipated Movies of Summer 2016
REVIEW: 'Batman v Superman: Dawn of Justice' throws together a half-baked pantheon
REVIEW: ‘London Has Fallen’ is a self-important, illogical grind
REVIEW: ‘Deadpool’ skewers superhero movies, but can’t heal its story problems
REVIEW: 'Hail, Caesar!' is a sharp, funny reminder that Hollywood hasn't changed much
2015 at the Movies - The Best, the Worst, and Everything Else - Part 2